Invitations & Printed Matter

I approach invitations as complete design objects—miniature projects within a larger system. Like exhibition posters, they distill an exhibition’s concept into a single, concentrated gesture: suggestive rather than explanatory.

Materiality is central to my process. Paper, ink, printing method, and finish are treated as conceptual tools, not afterthoughts. I’m deeply hands-on, from research and material sourcing to press checks and final trim adjustments. My goal is to create printed pieces that feel intentional, tactile, and worth keeping—objects that function as both invitation and artifact.